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It was honestly pleasant watching About Last Night.... About Last Night... was extraordinarily the most astounding movie I have seen in a while. Rob Lowe and Demi Moore are among my favorite actors. Rob Lowe and Demi Moore were indeed unspeakable in About Last Night...!

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About Last Night... also has some seriously splendid photography! The plot line is just seriously breathtaking. The undoubtedly gorgeous cast includes Rob Lowe, Demi Moore, James Belushi, Elizabeth Perkins, George DiCenzo.

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I have left knowledge about About Last Night....For better or worse, David Mamet's hit play Sexual Perversity in Chicago is watered down into this romantic comedy about a couple (played by Rob Lowe and Demi Moore) who get together and then fall apart due to Lowe's character's inability to commit. Jim Belushi is on hand as the gratuitously swinish best friend who looks at women as meat, and Elizabeth Perkins is entertainingly arch as Moore's gal pal and Belushi's nemesis. There's nothing about this 1986 film by Edward Zwick (cocreator of TV's thirtysomething and director of Glory and Courage Under Fire) that is at all reminiscent of Mamet, but that doesn't make it bad or dull. While one can feel the script straining to fill in gaps where chunks of the original play have disappeared, Zwick often successfully tells the story without words at all, relying on the actors to convey pure emotion. Lowe is good, and the then-willowy Moore's understated performance reminds one of the actress she might have been before she became a spectacle. --Tom Keogh

If you are a really huge fan of Rob Lowe and Demi Moore then you exceptionally need to watch About Last Night...!

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It was definitely most pleasing watching The Company. The Company was doubtlessly the most breathtaking movie I have seen in a while. Chris O'Donnell and Alfred Molina are among my favorite actors. Chris O'Donnell and Alfred Molina were precisely wonderful in The Company!

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The Company also has some absolutely superfancy photography! The plot line is just unquestionably heavenly. The definitely splendacious cast includes Chris O'Donnell, Alfred Molina, Michael Keaton.

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I have left details about The Company.

Handsomely mounted, epic in scope, and featuring an outstanding cast, TNT's The Company might restore some much-needed luster to the image of the Central Intelligence Agency (then again, perhaps not). Based on Robert Littell's popular historical novel of the same name, the show commingles real and invented characters as it traces the CIA's role in several major events, from the earliest days of the Cold War through the collapse of the Soviet Union, with particular attention given to the division of Berlin into East and West in the 1950s, the anti-Communist uprising in mid-'50s Hungary, and the disastrous Bay of Pigs operation in the early '60s.

The first of the miniseries' three parts introduces us to Yale graduates Jack McAuliffe (Chris O'Donnell), Leo Kritzky (Alessandro Nivola), and Yevgeny Tsipin (Rory Cochrane); the first two are recruited by the CIA, but the Russian-born Tsipin sides with the KGB. The initial focus is on the CIA's efforts to find a Soviet mole who's been interfering with the agency's work and putting many American lives at risk. Working with mentor Harvey "The Sorcerer" Torriti (Alfred Molina), who calls him "Sport" and delights in pointing out that such matters are nothing less than a life-and-death struggle between good and evil and right and wrong, McAuliffe skulks around Berlin, where his principal informant and soon-to-be love interest is a lovely young ballerina (Alexandra Maria Lara) with a few secrets of her own. Meanwhile, back in Washington, the colorfully-named CIA counter-intelligence expert James Jesus Angleton (a real guy portrayed with low-key intensity by Michael Keaton) slowly realizes that the mole in question is one of his old pals. And it doesn't stop there. Turns out there's another double agent (codename "Sasha") working for the Reds; this one's deeply embedded in the CIA, and Angleton, a chain-smoking obsessive whose behavior becomes increasingly cold and peculiar, devotes years (and most of the series' third installment) to outing him. The process by which he does just that, culminating in some fairly excruciating interrogation scenes, provides The Company's best moments--especially because we don't know until the very end whether Angleton has fingered the actual Sasha or not.

Viewers unfamiliar with the CIA's history and methods aren't likely to be very encouraged by what's depicted here--especially in the second part, in which the agency's misadventures in Hungary and Cuba reveal it (as well as the U.S. government overall) to be not merely ineffective but disastrously inept, as well as shockingly callous and hypocritical when it comes to lending material support to the causes it claims to espouse. Still, the series does a good job with many of the elements common to such fare (Robert De Niro's 2006 film The Good Shepherd covers some of the same ground). Codes are written and deciphered. Secrets are kept and revealed. Shots are fired, and some of them connect. People die, good and bad alike. And even if some of the scenes are a bit overheated and melodramatic, all in all, The Company (which was written by Ken Nolan, directed by Mikael Salomon, and produced by John Calley and Ridley and Tony Scott) is smart and entertaining. And some of it's even true. --Sam Graham

Stills from The Company (click for larger image)

Beyond The Company at Amazon.com

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If you are a unmistakably big fan of Chris O'Donnell and Alfred Molina then you actually ought to watch The Company!

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